The Ile de la Cité, the largest of the two islands in the middle of the Seine River is where Paris began.
In the early 6th century, Clovis, the first Merovingian king of what would eventually become France, established his residence on the 22-hectare (55-acre) island, on the site of a Gallo-Roman fortress that had once been the residence of the Roman governors. Throughout the medieval times, the place grew into the sprawling Palais de la Cité, which remained the seat of the Kings of France and their government until the 14th century. It is to this day the beating heart of Paris and the home of its two most remarkable Gothic treasures.
Notre Dame de Paris
On April 15th, 2019, a catastrophic fire claimed the entire roof of Notre Dame.
Notre Dame (Our Lady), the great Gothic cathedral built in the 12th and 13th centuries on the eastern tip of the island, was to become over time the most visited monument in the city — Until the fateful April 2019 evening when the world watched in horror as a catastrophic fire claimed its entire roof. Fire-fighters ultimately succeeded in saving the main bell towers and outer walls from collapse. Now, after two years of intense efforts to secure the building, the work of restoring the legendary jewel of Gothic architecture to its original grandeur has finally begun.
On a recent visit to Paris, shortly after the city finally reopened to visitors after the long Covid-induced travel hiatus, I couldn’t resist dropping by the Ile de la Cité to check how The Lady was faring. There wasn’t much to see, with most of the structure now protected by a giant set of scaffolds neatly wrapped in opaque netting. On the street bordering the construction site, optimistic signs updated passersby on the progress of the work going on inside, and that it would be completed by 2024. What to do in the meantime, to assuage my yearning for the magic of morning sunshine filtering through the jewel-like wonder of medieval stained glass? Head for the Sainte Chapelle.
La Sainte Chapelle
Built in the mid-13th century in the courtyard of the royal Palais de la Cité, the Sainte-Chapelle is considered one of the highest achievements of the Rayonnant period of Gothic architecture. It was commissioned by King Louis IX (later known as Saint Louis) to house his collection of Passion relics, including the Christ’s Crown of Thorns, one of the most important relics in medieval Christendom. While the exterior shows many of the typical characteristics of the Rayonnant Gothic style — deep buttresses surmounted by pinnacles, crocketed gables and soaring windows, the exterior gives few hints of the sumptuous interior.
The Sainte Chapelle holds one of the most extensive 13th century stained-glass collection in the world.Now the earliest surviving building of the palace, the Sainte Chapelle holds one of the most extensive 13th century stained-glass collection anywhere in the world. A total of 15 windows surround the chapel, each soaring to an improbable height of 15 meters (49 feet) the stained-glass panes depict over one thousand scenes from the Old and New Testaments, illustrating the history of the world until the arrival of the relics in Paris.
The Lower Chapel
The sanctuary actually consists of two chapels, with the lower one originally dedicated to the Virgin Mary and reserved for the courtiers, servants and soldiers of the palace. Here, under a low, vaulted ceiling supported by elegantly arched buttresses, the wide center aisle is flanked by two narrow side aisle. The columns are painted with alternating floral designs and the castle emblem of Castille – in honor of Blanche de Castille, King Louis IX’s mother. The original stained glass of this lower chapel was destroyed by a flood in 1690. The present glass depicting scenes from the life of the Virgin Mary was designed during the extensive restoration of the chapel in the 19th century.
The Upper Chapel
Narrow stairways fitted within the towers of the lower level lead to the upper chapel, where the sacred relics were kept. It was reserved exclusively for the royal family and guests. The structure is simple; a rectangle 33 meters by 10.7 meters (110 by 36 feet) with an apse at the east end. The most dazzling features are the walls, which appear to be almost entirely made of stained glass — a total of 670 square meters (7,200 square feet) of it, excluding the rose window at the west end, which was installed in the 15th century. The ensemble is considered among one of the finest of its type in the world. The supporting stone surface is reduced to little more than a delicate framework for the thousands pieces of jewel-tone glass that fill the space with great splashes of color gradually changing in intensity with the external light.
There are two small arched alcoves set into the walls of the chapel, topped with richly decorated painting and sculpture of angels. These were the places where the King and Queen worshipped during religious services: the King on the north side, the Queen on the south. Today, all that remains of the sacred relics is the elegant baldaquin placed high in the apse, where a long silver and gilded copper reliquary was displayed. The church was secularized during the French Revolution (1789-1794) and the relics transferred to the treasury of the Notre Dame Cathedral (n.b. the treasury was salvaged from the recent fire and is currently on view at the Musée du Louvre).
Good to Know
- Getting there — the Sainte Chapelle is located on the Ile de la Cité at 10 Boulevard du Palais, 75001, Paris. The closest metro station is Cité (ligne 4) is a mere 5 minute-walk away.
- Visiting — The Sainte Chapelle is open daily from 9:00 am to 7:00 pm from May 19 to September 30, and 9:00 am to 5:00 pm for the remainder of the year. It is closed on January 1, May 1 and December 25. Due to the current Covid situation, visiting conditions may vary – check the official website to prepare your visit.
Wow. I guess I’ve never gone to the Sainte Chapelle. I’ll definitely put it on my list for my next visit. I’m actually surprised they think they can rebuild Notre Dame by 2024, but will be so happy to see it whole again.
Re: Notre Dame reconstruction – While I am eager to see it whole again, I think. the “optimistic” is the keyword here.
Gorgeous! I’ll have to get back to Paris sometime.