Andalusia Road Trip – a Day in Cordoba

Andalusia Road Trip – a Day in Cordoba

Cordoba had been an important settlement since Roman times, but it was the Moors’ conquest in 711 a.d. that transformed it into one of the world’s leading center of Islamic education and learning. By the 10th  century, it had grown to be the largest city in Western Europe. Then its importance steadily declined after in was captured in 1236 by King Ferdinand III of Castile as part of the Christian Reconquista.

The Roman bridge was part of the Via Augusta.

While a number of interesting monuments remain from its long history, from the massive first century b.c. Roman bridge across the Guadalquivir River to the Alcázar de los Reyes Cristianos (Castle of the Christian Kings), the fortress constructed in 1328 by King Alfonso XI, one building alone is reason enough to put Córdoba on our Andalusian itinerary.

 

 

 

The Mesmerizing Mezquita

The courtyard features a traditional grove of citrus trees.

One of greatest works of Islamic architecture still in existence today, the Great Mosque of Córdoba (or Mezquita in Andalusian Arabic) is a unique symbol of the sophisticated culture that flourished here more than a millennium ago. It is impossible to overstate the beauty and serenity (despite the throngs of tourists) of its monumental interior.

 

 

The mihrab (prayer niche) is the focal point of the prayer hall.

The building consists of a forest of 865 columns of granite, marble, onyx and jasper, many of them repurposed from a Roman temple that once occupied the site, as well as other nearby monuments. The columns support soaring horseshoe-shaped double arches in perfectly symmetrical patterns to create the illusion an immense grove of palm trees. The sides of the sanctuary also include elaborately carved and gilded prayer alcoves. In its original mosque incarnation, it became the hub of Islamic community life in Al-Andalus ( as Andalusia was called then) for three centuries, serving as a teaching center and courthouse as well as a place of worship.

The Gothic Villaviciosa Chapel was the nave of first church built in the Mezquita.

Although it was promptly consecrated as a Catholic church upon the Christian conquest, its basic structure was mainly unchanged even as some 40 chapels were inserted into the prayer alcoves. The main alteration didn’t occur until the 16th century when Charles V authorized the construction of a large Baroque cathedral within the center of the former Muslim prayer hall. This caused some destruction, but it also ensured the preservation of the complex. It is estimated that 70 percent of the original mosque survived.

Intricate cupsed arches surround the mihrab.

Officially, the name of the complex is now Catedral de Nuestra Señora de la Asuncion (Cathedral of Our Lady of the Assumption), or “Mosque-Cathedral,” although it is a Catholic church exclusively, but neither are commonly used outside of administrative circles. It is widely known as simply la Mezquita, so that in Cordoba churchgoers go the the mosque for mass.

 

A Royal Stronghold

The Alcázar has retained its massive fortifications.

With its thick defensive walls, the Alcàzar of the Christian Kings, or Alcàzar of Córdoba for short is a metaphor for the history of the Andalusia. Here, Roman, Visigoth and Moorish ruins mingle in an imposing fortress that was in turn a favorite residence of the successive rulers of the area. However, by the time Ferdinand III of Castile took the city, the former Caliphal palace was in a state of advanced deterioration. It was his successor, Alfonso X who began building the present day palace on the site of the old fortress. It went on to fulfill varied functions, from serving as one of the primary residences of Isabella I of Castile and her spouse Ferdinand II of Aragon, (15th century), headquarters of the Spanish Inquisition (16th century) and more recently as a prison (first half a the 20th century).

The chapel now holds a display of Roman mosaics.

The most interesting feature of this blocky fortress is its small baroque chapel, now the Hall of the Mosaics, where a series of impressive Roman mosaics, discovered in the 1960’s during excavations of the nearby Corredera Square, are now displayed around the room. Beneath this hall are the Arabic-style baths divided into three rooms with vaulted ceilings with the familiar star openings.

Although Alfonso used only a fraction of the remains of the original Moorish structure in building the Alcàzar, he chose a Mujerar-style for his palace and gardens – which preserved the Moorish feel of the site.

The Gardens of the Alcázar

The upper level basin collects water from nearby mountains.

The gardens occupy a vast part of the palace grounds. Located on the Southwestern side of the property, it is believed that they were originally laid out by the first Islamic rulers (Abd ar-Rahman II – ruled 822-866) to complete the space destined to the Royal Harem, in a place close to the baths. The gardens were subsequently abandoned when his successor moved his residence to a countryside locations some 10 kilometers (6 miles) away, until the arrival of the Christian Kings gave them the appearance we enjoy today.

The gardens are designed around spectacular pools.

They are laid on three terraced levels. On the top terrace, two large bassins collect water routed from the nearby mountains and channel it down to the long fountain-pools flanked by cypress edges of the middle and lower terrace. On the side of the terrace closest to the fortifications wall, boxwood planted in a grid pattern provide the framework for a series of rose gardens adorned with statues of Isabella and Ferdinand – story has it that it is where they granted an audience to Christopher Columbus to hear about his project for a new route to the Indies. Despite their slightly formal layout and huge popularity with tourists, the gardens are an inviting place to wander, and my favorite part of the Alcàzar.

The Juderia

The tangle of narrow lanesof the Juderia preserve an intimate atmosphere,

Just north of the Mezquita, the Jewish Quarter of Cordoba is the medieval part of the city where the thriving Jewish community lived throughout the middle ages until the 15th century. At the heart of the quarter, the synagogue, a Mudejar construction and one only three original ones remaining in Spain, is now a small museum offering a glance at the Jewish culture’s impact on Spanish history.

Today the charming tangle of narrow lanes and secret courtyards, a must on every visitor’s itinerary, has succeeded to preserve an intimate feel – so far.

 

Good to Know

Visiting

  • La Mezquita may be seen in a couple of hours – although lovers of religious art could possible spend half a day here. Opening hours, November through February, Monday through Saturday: 8:30 am to 6:00 pm – Sunday and religious holidays: 8:30 am to 11:30 am and 3:00 pm to 6:00 pm. March through October, Monday through Saturday: 10:00 am to 7:00 pm – Sunday and religious holidays: 8:30 am to 11:30 am and 3:00 pm to 7:00 pm. Mezquita tickets are sold on-site only. However, because the size of the site, there is no limit to the number of visitors allowed per day, and the ticket-purchase process is fast and efficient. If possible, avoid the 11:00 am to 3:00 pm time-frame as most day-tripper tour groups visit during these hours.
  • The Alcàzar of Cordoba is a municipal building run with the mindset of a public office rather than a site of touristic interest. Opening hours are Tuesday through Sunday from 8:45 am to 3:15pm. Closed on Monday. Other than confirming the opening hours (which could vary for organizational reasons), their website is near useless. Attempts to purchase advanced tickets send you to another clumsy website. Click “on-line booking” then “monument visit” and at this point your English language option shifts to Spanglish with a strong emphasis on “Span”. You may also get error messages through the booking process but persevere – It took me many tries over several days to finally secure my two tickets. However, to my knowledge, it is the only site that will give you the option to purchase entry tickets without expensive guided tours attached. The other alternative is to show up early in the morning and hope you’ll beat the lengthy lines.

Location, location, location!

Cordoba

Andalusia Road Trip – Seville – A tale of two cultures

Andalusia Road Trip – Seville – A tale of two cultures

This is Day Two of our Andalusian adventure. We leave the peaceful vineyards of the Sierrania de Ronda at mid-morning for the two-hour drive to Seville, the vibrant capital and cultural center of Andalusia.

The Seville Cathedral seens through the Door of Forgiveness from the original Almohad mosque.

Throughout the region, displays of Catholic dominance compete for attention with the memories of several centuries of Moorish rule. This is especially apparent in Seville, where the largest Gothic cathedral in the world sits on the site of the great Aljiama mosque built in the 12th  century by the ruling Moorish Almohad dynasty, a few minutes’ walk from the Christian Kings’ magnificent Mudéjar-style Alcazàr palace.

 

The Seville Cathedral

Detail of a side chapel.

When Ferdinand III conquered Seville from the Moors in 1248, the mosque was immediately christianazied. But it was not until 1401 that the decision was made to build a proper Christian church on the site. Construction of the sprawling Catholic complex, which boasts 80 chapels and the longest central nave in Spain (135 meters or 443 feet) soaring to a breathtaking height of 42 meters (138 feet), lasted over a century.

The Christopher Columbus mausoleum sits in the nave.

Although still an active Catholic sanctuary, the cavernous cathedral is now overrun by visitors following a loosely arranged itinerary of its main attractions, starting with the mausoleum of Christopher Columbus. His coffin is held aloft by four figures representing the four kingdoms of Spain at the time of Columbus’ life: Aragon, Castille, Leon and Navarra. The massive late 19th  century monument by local sculptor Arturo Melida was originally installed in Havana, Cuba, before being moved to Seville in 1899 after Spain lost control of Cuba. (n.b. Havana and Santo Domingo in the Dominican Republic also claim to hold his remains, but recent DNA tests confirmed that this tomb does hold Columbus – or one of his close relatives).

A Surfeit of Riches

The Gothic main altar is one of the most important polychrome wood structures of its time.

A few steps away, the Capilla Mayor (Main Chapel, or central nave) is dominated by its overwhelming gold-leafed Retablo of 45 carved scenes from the life of Christ. This huge Gothic main altar, regarded as the largest in Christendom, is one of the most spectacular polychrome wood structures of its time.Tourists of all nations stop to gape while their guides provide staggering statistics on the amount of gold involved.

The treasury holds an incredible wealth of silver reliquaries.

We follow the flow around the edge of the nave, checking out various chapels until we reach the Sala Capitular (Chapter House) with its magnificent domed ceiling mirrored in the marble design of the floor and its walls covered with fine Murillo paintings. Beyond it, the grandiose Sacrista Mayor (Great Sacristy) houses the treasury with its profusion of silver reliquaries, as well as the keys presented by the Moorish and Jewish communities to Ferdinand III upon the surrender of the city.

The minaret of the original mosque is now the bell tower.

However ambitious their Christian purpose, the new Castilian rulers did preserve a few elements from the Aljiama mosque. Most notably the minaret with its intricate brick pattern fashioned after Marrakech’s famous Koutoubia mosque now serve as the bell tower. This original Muslim bottom section is 51 meters (168 feet) high. Form the bell tower up, a seamless 16th century Renaissance addition raises the tower to 99 meters (325 feet). Topped with a distinctive bronze weather vane (giralda in Spanish), it has become the iconic symbol of Seville.

Citrus trees still gow in the courtyard where ritural ablutions once took place prior to Muslim worship.

The other remaining part of the former mosque is the vast Patio de los Naranjos, named for the orange trees that shaded the entrance courtyard where ritual ablutions took place prior to worship. In the center of the patio, a Moorish fountain incorporates a sixth century carved marble font, a surviving remnant of an earlier Visigoth church, which itself was leveled to make room for the mosque. On the north side of the patio, the Puerta del Perdón (Door of Forgiveness) is a stucco engraved horseshoe-shaped masterpiece also dating from the original Almohad mosque.

The Real Alcázar

The Alcázar retains elements of the original Almohad palace.

A few minutes’ walk from the cathedral, the Real Alcàzar (Royal Palace) is a unique complex of fortresses, palaces and gardens that has evolved over eleven centuries. It remains the official Seville residence of the Spanish royal family, making it the oldest royal palace still in use in Europe.

 

 

The Alcázar is built in the Mudéjar style.

The construction of the fortress began in the 10th century, during the reign of Caliph Abd al-Rahman (912-961). The complex was then enlarged and renovated throughout the city’s rich history. Beyond the fortification walls and the remains of a 12th century Almohad palace, all later work was carried out by Christian kings in the Mudéjar style – a post-Islamic style that remained strongly influenced by Moorish taste and workmanship.

 

The Palacio de Don Pedro

The cupola of the Salon of the Ambassadors.

Also known as the Mudéjar Palace, the architectural masterpiece built by Pedro I (1334-1369) with its stunningly beautiful ceilings and elaborate plaster- and tile-work is the most spectacular of the entire complex. The Prince’s suite has a breathtaking gold ceiling intended to recreate a starlit night sky. The various apartments open through scalloped Moorish arches onto the exquisite Patio of the Maidens with its long central reflecting pool outlined by two sunken garden. The most famous of the public spaces is the Salon of the Ambassadors, a vast hall with a jaw-dropping Islamic-style cupola ceiling intended to represent the universe.

Magical Gardens

Almohad-style patios are arranged around bubbling fountains.

The Mercury Pond is inspired by the Italian Mannerist style.

The gardens are a major element of the Alcàzar. Spread across 6 hectares (15 acres) they have evolved through the centuries into three distinct areas that reflect the style of gardening of their respective eras while remaining the oasis of tranquility intended by the early occupants.

Closest to the palace, the ancient Almohad-style gardens are an inviting maze of tiled patios, bubbling fountains and secret corners, all connected by stairs and verdant arches. Then come the central Renaissance gardens, designed in the 16th century in the Italian Mannerist style. Their most famous elements are the Mercury Pond (named for the statue of the Roman god standing in the middle of it) and adjoining Grotto Gallery, which transformed a part of the Moorish fortifications into an upper loggia from which to admire the vast expanse of the gardens and the Charles V pavilion. The third area, created at the start of the 20th century on the former site of the property’s old orchard, is known as the English garden, and includes resident peacocks.

After a couple of hours spent making our way through the countless, extravagantly ornate rooms of the sumptuous palace, we especially enjoy exploring the fabulous gardens, spotting their countless fountains and generally relaxing in their relative peace.

Flamenco

El Arenal is one of Sevilles’ prestigious Flamenco venues.

Beyond its architectural masterpieces, an other multi-cultural artistic treasure of Andalusia is Flamenco – the complex fusion of song, dance and guitar music that tells the story of the Andalusian soul. The origins of Flamenco are much debated as this art form has been documented only for the past two centuries. Most of what we know has been transmitted in music and folklore. What is obvious it that it did originate in Andalusia when the area was under Moorish domination. The music and instruments were adapted over time by Christians, Jews and later Gypsies to become a hybrid form of expression to communicate their pain, oppression and passion.

El Arenal presents two nightly performances

Since the late 1960’s Flamenco has gradually evolved from local folklore to international celebrity, and Seville abounds with flamenco from bars, where the Flamenco “jam session” can be great – or not, to Tablaos.  There, nationally and internationally known artists perform professionally choreographed shows. With only one night to experience Flamenco on this trip, we go for the sure thing and book a table at Tablao el Arenal. Founded some 40 years ago by international flamenco star and Seville native Curro Veléz, it is located in a typical 17th century building that still channels the spirit of old Andalusian cafés. It has garnered a long-standing reputation for the quality of its performers, and also offers a dinner option with a fixed price, four-course, à la carte menu of Andalusian specialties prior to the 75-minute performance.

Our dinner and show advanced reservation scores us an amazing center front row table where we don’t miss a single step of the virtuoso footwork of the dancers. The show features 15 performers (guitarists, singers and dancers) and all are superb (sorry no photos allowed!). And yes, the meal is very nice too. Overall, the perfect evening to close our short visit to Seville, before leaving for Cordoba in the morning.

Good to Know

  • Getting around – The center of Seville is definitely a pedestrian experience. If like us you plan to arrive by car, jettison your vehicle in one of the underground garages at the edge of the historic center. Check  ahead with you hotel or short-term apartment management for recommendation of which parking to use.
  • Visiting –The Seville Cathedral is open for cultural visits on Monday from 11:00 am to 3:30 pm, Tuesday through Saturday from 11:00 am to 5:00 pm and Sunday from 2:30 pm to 6:00 pm. Tickets are available at the door usually with a relatively short wait.  If you also wish to visit the La Girlada (bell tower) and/or the roof of the cathedral, advanced tickets are imperative. Make sure to purchase them from the Seville Cathedral official website to avoid surcharges.
  • The Real Alcázar is open daily, October through March from 9:30 am to 6:00 pm and April through September from 9:30 through 8:00 pm. Unless you plan to visit late in the day (after all the busloads of tourists have departed) it is imperative to purchase advanced tickets – again directly from the Alcazar’s official website. A regular ticket will give you a line-free entrance to the palaces and the gardens any time during your chosen day.
  • The Royal Apartments (Cuarto Real Alto), should you decide to visit them, require that you purchase a separate ticket with a strict time-slot reservation. And be prepared to leave all your belongings, including cameras and cell phones – unless you are prepared to leave the latter turned off in you pocket – in lockers at by the entrance. Photos are strictly prohibited. The audio-guided tour takes 30 minutes, with security guards moving visitors along. Only 15 public rooms are opened to the public and although these have historic names referring to long-ago monarchs (i.e. Isabella of Castilla and Pedro I), most of the furniture and décor are from the 19th In my opinion, the visit is of little interest and not worth the constraint of adhering to the strict schedule.
  • Tablao El Arenal 7 calle Rodo, 41001, Sevilla. Contact: tel. +34 954 316 492 – open every night for from 6:00 pm to 11:30 pm with performances at 7:15 pm and 10:00 pm.  We found their dinner and show formula to be excellent value (75 Euros, or 84 U.S. Dollars per person at the time of this writing, beverages included).  Advanced reservations through their website strongly recommended.

 

Location, location, location!

Seville

The essence of Andalusia – Seville

The essence of Andalusia – Seville

As is the case with many of the great historic cities of the Mediterranean basin, the origins of Seville are shrouded in legends. Hercules himself is said to have taken a break from his better-publicized great deeds to create the original settlement of what is now the capital of Andalusia, Spain’s southern-most region.

A complicated history

Andalusia - Seville's Torre del Oro tower.

The Moors’ Torre del Oror on the Guadalquivir River.

In the millennia that followed, others came to lend a hand in shaping the city as we know it today. It became Hispalis to the Romans after they evicted the Carthaginians. Rome undertook its customary construction program, a few remains of which endure to this day including the twin columns that dominate the vast La Alameda de Hércules Square on the north side of the city’s historic center. Then came the Vandals and the Visigoths successively, who left nothing but their usual devastation before being abruptly tossed out by the Moors in 711. This ushered in the Islamic Empire of Al-Andalus that was to endure for half a millennium, leaving a stunning architectural and artistic imprint throughout the region.

Andalusia - Seville's Arschbishop's Palace.

The Spanish Baroque Archbishop’s Palace.

Then in 1248, the Christian King Ferdinand III of Castile conquered the area. The Moors’ Palace (the Alcazar) became the Castilian Royal residence still used today as the local residence of the royal family and mosques morphed into churches. Enter Christopher Columbus. Upon his return from the New World in 1493, Seville managed to co-opt the monopoly on trans-oceanic trade for its port on the Guadalquivir River. Prosperity ensued and the city became a major economic and cultural center of the Baroque era. To this day it is a unique hybrid of Islamic and European architecture and traditions, and a fascinating place to start my discovery of Andalusia.

A tale of two cultures

Andalusia - Seville's Triana Bridge over the Guadalquivir.

The Triana Bridge over the Guadalquivir.

Since my first random wanderings lead me to the bank of the Guadalquivir, I board a ship for hour-long dusk cruise. In addition to offering a beautiful panorama of both sides of the city, highlights include the Torre del Oro, a polygonal medieval watchtower originally built by the Moors as parts of the city ramparts to control river access. While the golden tile facing that gave it its name have long vanished, it still a gleams in the early evening light. Further down river the Isabel II (or Triana ) Bridge, a superb example of nineteenth century iron architecture, leads to the historic working class Triana neighborhood, famous to this day for its ceramics and flamenco music.

Andalusia -Seville's Cathedral and the Giralda.

The Santa Maria del la Sede cathedral is the largest gothic cathedral in the world.

During the next few days, I explore the area around the Cathedral (Santa Maria del la Sede), the largest gothic cathedral in the world. Its fifteenth century builders used some columns and other elements from the mosque that previously stood on the grounds, including the Giralda. Once a minaret, the 300-foot bell tower, now Seville’s iconic symbol, offers a unique view of the city. Inside the cathedral, a grand mausoleum is said to holds the remains of Christopher Columbus.

 

Andalusia - Seville's Alcazar Neptune Fountain.

Neptune Fountain in the gardens of the Alcazar.

I wander in the courtyards of the Alcazar with their lacy stone and woodworks and their intricate Islamic geometric tile works. The gardens are filled with orange trees and the trickle of countless fountains. And I lose myself in the labyrinth of medieval streets of Barrio Santa Cruz, the Jewish ghetto until the Jews were driven from Spain by the 1492 edict of King Ferdinand and Queen Isabella.

 

Andalusia - Seville's Lebrija Palace.

The interior patio of the Lebrija Palace is paved with Romain mosaics.

The Palacio de Lebrija is an ideal refuge for a rainy day. This little known museum is a typical Sevilliano family palace built around cloistered interior patios, restyled in the nineteenth century from original sixteenth century buildings by the Condesa de Lebrija. The Countess was an avid collector and the museum houses her eclectic private collection ranging from Greek, Roman, Etruscan and Persian ceramics to Louis XIV furniture and works by Van Dyck and artists of the Murillo school.

A Few Souvenirs

Location, location, location!

Seville, spain